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Francisco Goya Yard with Lunatics mk214
1793-4
Oil on tinplate
43.8x32.7cm
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Francisco Goya The Duchess of Alba arranging her Hair mk214
1796-7
Indian ink wash
17.1x10.1cm
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Francisco Goya Maid combing a Young Woman-s Hair mk214
1796-7
Indian ink wash
23.4x14.5cm
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Francisco Goya Mascaras crueles mk214
1796-7
Indian ink wash
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Francisco Goya Caricatura alegre mk214
1796-7
Indian ink wash
19x13cm
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Francisco Goya Witches Sabbath mk214
1797-8
Oil on canvas
44x31cm
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Francisco Goya The Spell mk214
1797-8
Oil on canvas
45x32cm
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Francisco Goya Marquesa de la Solana mk214
c.1794-5
Oil on canvas
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Francisco Goya Duchess of Alba mk214
1797
Oil on canvas
210.2x149.3cm
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Francisco Goya Gaspar Melchor de Jovellanos mk214
1798
Oil on canvas
205x133cm
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Francisco Goya Ferdinand Guillemardet mk214
1798
Oil on canvas
185x125cm
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Francisco Goya Andres del Peral mk214
c.1797-8
Oil on panel
95x65cm
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Francisco Goya Miracle of the Loaves and Fishes mk214
c.1796-7
Oil on canvas
146x340cm
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Francisco Goya Last Supper mk214
c.1796-7
Oil on canvas
146x340cm
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Francisco Goya Miracle of St Anthony of Padua mk214
1798
Fresco
5.5m diam
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Francisco Goya Taking of Christ mk214
1798
Oil on canvas
300x200cm
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Francisco Goya El si pronuncian y la mano Alargan al primero que llega mk214
1797-8
Etching with aquatint
21.8x15.4cm
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Francisco Goya Tu que no puedes mk214
1797-8
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Francisco Goya Donde va mama mk214
1797-8
Etching with aquatint
20.9x16.7cm
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Francisco Goya Bruja poderosa que por ydropica mk214
1797-8
Pen and spia ink
24x16.8cm
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Francisco Goya
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1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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